Review The odd and violent world of military "sci-ops" is largely left on the cutting room floor by director Carman ("Donizetti's Carmen") who directs the action as if he were trying to put a cat to sleep by injecting it with a syringe of 100% pure turgidity. The entire movie is shot from below via something called "snake-cam" so that the most memorable image is what looks to be an accidental "up-skirt" of a young man in leather pants attached to what appeared to be two adolescent cantaloupes. Who is this thing for? Certainly not for my, admittedly somewhat elderly, significant other who interrupted the proceedings every few moments by gasping "why is that man trying to inflate that woman?" Stumped, I could only keep feeding her jujubees, one by one, until she stopped breathing (I hadn't realized she had a malt ball blocking her airway). Breathing was not a problem for the half a dozen other denizens of our local cinema - their deafening, stertorous horse-snores almost managed to compete with the monumentally dismal soundtrack, which alternately blared a version of the National Anthem performed by something called "Throg" and a sort of tango music produced by what sounded like bongos made of human skin with the mouth still attached. Hollywood, you strange, sinuous lady. Sometimes your siren call is a peacock screech, reminding us that even the great Orson Wellies could occasionally produce a short, sharp wet willie. |
Wednesday, September 02, 2009
G.I. Jerk
G.I. Joe: Cobra Rising
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